Ancient Mystery Cults / Walter Burkert SYSNO 6371651, přírůstkové číslo 6468 Seznam obrázků v dokumentu: Figure I. Daduchos Vase, Eleusis. Priest with two torches (daduchos or hierophant), in rich dress, leading an initiand, with bundle of twigs, toward initiation. Female figure representing Eleusis (?). Figure 2. Eleusinian initiation. Heracles, in lion skin, advancing toward a low altar with a pig for sacrifice; priest with offering tray, pouring a libation. (See p. 94.) Figure 3. Eleusinian initiation. Veiled initiand sitting on a stool covered with a fleece, with a ram’s horn under his foot; priestess holding a liknon over his head. (See p. 94.) Figure 4. Eleusinian initiation. Demeter, ears of grain in her hair, silting on a big kiste, hold-ing a torch; snake coiling around the kiste; initiate with a bundle of twigs, advancing to touch the snake’s head, behind Demeter, Kore approaching with a torch. (See p. 94.) Figure 5. Villa of the Mysteries: survey. I: Woman advancing; boy reading from a scroll; matron; attendant with tray. II: Seated woman revealing a tray and washing her hand, III: Silenus; two satyresses nursing animals, IV: Woman in alarm, V: drinking/ lecanomancy? VI: Dionysus and Ariadne, VII: Kneeling female revealing a phallus in the liknon; winged demon, wielding a rod, with a gesture of aversion, vm: Kneeling female exposed; dancing maenad with cymbals, IX: Woman being adorned; two amoretti. X: Seated matron. (See pp. 95–96, 104.) Figure 6. Bacchic initiation. Sanctuary with columns and tree; silenus-like priest revealing a phallus in a liknon; boy, carrying a thyrsus, with veiled head, led by a female toward initiation; mystic kiste; female attendant with tympanon. (See p. 95.) Figure 7. Bacchic initiation. Kneeling female revealing a phallus in a liknon; female (demon? allegory?) fleeing with a gesture of aversion; seated matron. (See p. 95.) Figure 8. Festival of Isis. Foreground: sacrifice with priest; two choruses singing under the direction of an Egyptian; flute player to i he right; background: temple door flanked by two sphinxes and palm trees; priest exiting with the Nile water vessel (“Osiris”) between a black priest (“Anubis”) and a priestess (“Isis”). Figure 9. Meter and Attis. Meter enthroned, with tympanon and lion; in the front, portable altar with fire, torch, Phrygian cap, jug and plate; ram and ewe; in the center, pine tree with a shepherd’s crook, flute, cymbals; two Corybants with helmets and shields, one grasping Attis, with Phrygian cap and syrinx, collapsing on a rock; behind Meter, a female attendant with cymbals, with aureole (Hecate/Selene?). Figure 10. Procession for Meter. Four men in Phrygian caps carrying a bier, on which, be-tween the statues of two Phrygian attendants, is the throne of Meter, represented by a kiste with pointed lid. Figure 11. Mithras relief from Neuenheim. Main scene: Mithras killing the bull, tail turning into ears of grain; on Mithras’ cloak, raven (destroyed); below, Kautopates and Kautes; snake, scorpion, kráter, lion. Frame, starting at bottom left: Persian wielding the globe (?); Kronos asleep; Kronos yielding the scepter to Zeus; Mithras’ birth from the rock; bust of wind god. Mithras making fire with a drill; Mithras shooting at the rock to procure rain; Mithras mount-ing the chariot of Helios; Moon goddess setting; Mithras shooting at the rock; birth from a fig tree (?). Bust of wind god; the bull grazing; Mithras carrying the bull; Mithras riding the bull; Mithras dragging the bull to the cave. (See pp. 73–74.) Figure 12. Mithraic initiation. Naked initiand, kneeling and blindfolded, arms bound behind his back; behind him, mystagogue (wearing a white tunica with red lining); advancing digni-tary with Persian cap (red cloak; pater?), wielding a spear or staff. (See p. 103.)